Published in Overland Issue 258 2025 · Uncategorized How to echo Kathy Tierney The boy watched that mangrove snake slide among the mudskippers, crabs, and shrimps near the old Pearling Jetty. He wanted to forget how to echo, wanted extinction, from all the neat, repetitive points in his life — schoolwork, homework and knotted behaviour. He wanted to lose the skin of hymns, to move differently. To be lost from a quanta of regulations, which cut out less or more. For he did not want to be in a discrete value, but in an explosion, magnitudes of stamen, fertilising every second with non-discrete presences. Like the mangrove snake which he envied, at least it could shed. Start again. When, years later, discrete values of history like preservation reduced the mangroves, and restored the old Pearling Jetty, both the snake and his longings to move differently disappeared. He went into past tense: was, had. No longer here. Bottled in an old day. Preserved against tendency and starting again. Remembering how to echo. This poem was longlisted for a poetry prize in The Letter Review in April 2023, though not published in any medium. Kathy Tierney Kathy Tierney is an award-winning poet and writer who has published in various online and print journals. She has a Bachelor of Creative Writing with Distinction from Deakin University Australia and an Associate Degree in Creative Writing from Southern Cross University. More by Kathy Tierney › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.