Published in Overland Issue 247 Winter 2022 · Poetry Poetry | Domestic Gemma Parker For a while I pick the glass Out of her hair, which is gorgeous— Ombre peach and gold. She holds my hand and won’t agree. I leave her in front of the tobacconist, Full of the language of murder. She wants more money than I have: I give her hand sanitiser. Did she ask me to leave Or did I just go? Hard against the night We forge, forgetting, forgetting. I clean my hands At a sushi restaurant, my thin hands, As weak as wheat. When I go to sleep I dream of them both, altered. She sits with glossy brown hair In my cousin’s salon, gazing At a swatch of sunset colours. He watches me silently as I flick Through a family album. Look, I breathe, We share a star sign. He shakes his head, No. We share nothing. Gemma Parker Gemma Parker is an award-winning poet, teacher, PhD candidate and student member of the JM Coetzee Centre for Creative Practice at the University of Adelaide. Her work has been published locally and internationally in Award Winning Australian Writing, Transnational Literature, Tokyo Poetry Journal, Mascara Literary Review and StylusLit. Gemma is one of the co-founders and managing editors of the new Adelaide literary journal, The Saltbush Review. She lives and works on Kaurna Country in Adelaide after many years abroad. More by Gemma Parker › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 6 September 20246 September 2024 · Poetry Debts of the robots Corey Wakeling Repaying the debts of robots, / I see me in your screen fatally, which is / to say oozed certainty across a whistle of craft. 16 August 202416 August 2024 · Poetry pork lullaby Panda Wong but an alive pig / roots in the soil /turning it over / with its snout / softening the ground / is this a hymn