Published in Overland Issue 247 Winter 2022 Poetry Poetry | Domestic Gemma Parker For a while I pick the glass Out of her hair, which is gorgeous— Ombre peach and gold. She holds my hand and won’t agree. I leave her in front of the tobacconist, Full of the language of murder. She wants more money than I have: I give her hand sanitiser. Did she ask me to leave Or did I just go? Hard against the night We forge, forgetting, forgetting. I clean my hands At a sushi restaurant, my thin hands, As weak as wheat. When I go to sleep I dream of them both, altered. She sits with glossy brown hair In my cousin’s salon, gazing At a swatch of sunset colours. He watches me silently as I flick Through a family album. Look, I breathe, We share a star sign. He shakes his head, No. We share nothing. Gemma Parker Gemma Parker is an award-winning poet, teacher, PhD candidate and student member of the JM Coetzee Centre for Creative Practice at the University of Adelaide. Her work has been published locally and internationally in Award Winning Australian Writing, Transnational Literature, Tokyo Poetry Journal, Mascara Literary Review and StylusLit. Gemma is one of the co-founders and managing editors of the new Adelaide literary journal, The Saltbush Review. She lives and works on Kaurna Country in Adelaide after many years abroad. More by Gemma Parker Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 3 March 20233 March 2023 Poetry Poetry | 2 rat poems by joanne burns joanne burns the courtyard rat squatting on an empire of pizza boxes rainsoaked piles of stewing cardboard flattened packaging from long covid's eager merchandise anything to transcend an unimagined plague rat traps line the walls like doctors' obsolete portmanteaux from a much earlier decade First published in Overland Issue 228 10 February 202322 February 2023 Poetry Poetry | Inflorescence Jo Langdon History or myth—picture tulip bulbs, unburied like onions. An onion is the likeness Hepburn—in Gardens of the world—proffers in the purr & lilt of vowel, halt of consonant; annunciation that lifts ready from memory