Published in Overland Issue The 2017 Oodgeroo Noonuccal Poetry Prize · Uncategorized Highly Commended: An Arrival Grace Lucas-Pennington We came across water made shore in darkness woke on sand. We saw strong young men, warriors. They came towards us, pointed their weapons at us. They asked us who we were, why we had come. Sat us down on the earth to wait. They gave us water. We were weak from travel, exhausted. News spread. They came, the delegates. Stern folk who smiled cold like the ones we ran from. Healers came. They had travelled overnight to reach us. The nurses, the doctors they closed their mouths. Their lips did not know the shape of the desperation they saw in bodies, in faces. Their hearts did not know the strange strength of the hope under our flesh. But their eyes knew the stories of the scars. Their bones had not known the weight of those who had died on the journey. Their hands did not know the shape of the fears we carried. But they saw the long shadows stretching out behind us. They did not understand us, or we them. But to hope is to open and through it we are opened. So it began. Image: Brisbane Waters sunset Grace Lucas-Pennington Grace Lucas-Pennington is a Bundjalung/European person living on Yugurapul land. She grew up mostly between Bundjalung country on the NSW north coast and the greater Logan/Brisbane area. Grace is currently the Editor for State Library of Queensland’s black&write! Indigenous Writing and Project. More by Grace Lucas-Pennington › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 January 202527 January 2025 · Cartoons “… but fight absolutely” Sam Wallman In which Sam Wallman illustrates a stirring quote from the great Mike Davis. 17 January 202517 January 2025 · rape culture Neil Gaiman and the political economy of rape Emmy Rakete The interactions between Gaiman, Palmer, Pavlovich, and the couple’s young child are all outlined in Shapiro’s article. There is, though, another figure in the narrative whom the article does not name. Auckland city itself is a silent participant in the abuse that Pavlovich suffered. Auckland is not just the place where these things happen to have occurred: this is a story about Auckland.