Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Yee I-Lann was born in Kota Kinabalu in Malaysia. She graduated in visual arts at the University of South Australia, and later studied painting at Central St Martins School of Arts in London. I-Lann’s primarily photomedia-based practice speculates on issues of culture, power, neo-colonialism and the role of historical memory in our social experience. For more, visit yeeilann.com
