Catalysed most recently by the tragic death of Eurydice Dixon in June, much has been written and debated about sexism, misogyny and gendered violence in our society. For many, intervention into this discussion has stemmed from a kind of melancholic identification with the victim – a young, cis, straight, able-bodied, white woman with an aspiring career – that sense that ‘it could have been me’.

Described as an ‘immersive, intimate exploration of Islam, skateboarding and sexual politics’, the film follows the ‘surprising’ phenomenon of Muslim women skateboarders. Its aim: to tackle the stereotype of ‘passive, subservient Muslim women’.

How can people who come from such young cultures comprehend the sophistication of a continuous culture that goes back more than sixty thousand years?