Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Sophie Cunningham has been on the publishing scene in Australia for thirty years. A former publisher and editor, she is the author of two novels. Warning: The Story of Cyclone Tracy, her most recent book, was published by Text Publishing in 2014. She is a former editor of Meanjin, and a former Chair of the Literature Board of the Australia Council. She is a founding and current board member of The Stella Prize. She won the Australian Book Review’s 2015 Calibre Essay Prize.