Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Shey Marque is an emerging poet from Perth. A former medical scientist, she left her career in 2005 and completed a MA in writing in 2011. Her poetry has appeared in journals including Award Winning Australian Writing, Cordite, Meanjin, Westerly and Southerly. Aporiac, a chapbook, was published in 2016 with Finishing Line Press (USA). Her first full collection, Keeper of the Ritual, was shortlisted for the 2017 Noel Rowe Poetry Award for an unpublished manuscript, and recently accepted for publication by UWA Publishing forthcoming in 2019.
