Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Saskia Beudel’s most recent book is A Country in Mind: Memoir with Landscape, which was shortlisted for the Adelaide Festival Literary Awards. She is also the author of the novel Borrowed Eyes, and a study of public art and urban sustainability, Curating Sydney: Imagining the City’s Future (with Jill Bennett). Her essays have appeared in a number of publications including the Iowa Review and Best Australian Essays. She is currently a Fellow at the Rachel Carson Center for Environment & Society, Ludwig-Maximilians-Universität, Munich, Germany.
