Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Sarah Keenan works at Birkbeck Law School, University of London, where she co-directs the Centre for Research on Race and Law. Her research and teaching are at the intersection of legal and political theory, geography and post-colonial studies. Her monograph Subversive Property: Law and the Production of Spaces of Belonging was published in the Routledge Social Justice series in 2015. She has recently completed a Leverhulme Fellowship on her current project Making Land Liquid: The Temporality of Title Registration. She tweets as @sarahjkeenan.
