Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Olivia Bennett is a Melbourne/Naarm-based writer, filmmaker, curator and MIFF 2019 Critics Campus participant. Her practice specialises in the socio-political effects, and intersections between, art and film philosophy, post-humanism, technology and digital media. Olivia completed a Bachelor of Arts (Honours - First Class) in Screen and Cultural Studies at the University of Melbourne and a Bachelor of Art History and Curating (majoring in Film Studies) at Monash University.
