Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Mark Isaacs is a writer, researcher and community worker. His first book, The Undesirables: Inside Nauru (Hardie Grant, 2014), is an account of his work with asylum seekers in Nauru, one of Australia’s notorious offshore detention centres. His second book, Nauru Burning (Editia, 2016), follows up with an investigative report on human rights abuses on Nauru. Mark is president of Sydney PEN and a PhD candidate focusing on irregular migration at the University of Technology Sydney. He has published articles with The Guardian, Foreign Policy, Sydney Morning Herald, New Internationalist, Griffith Review and many others. markjisaacs.com
