In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Lisa Stefanoff is a mother, researcher, writer, media producer, and curator of Macedonian-Anglo heritage who lives and works in Mparntwe/Alice Springs, mostly on collaborative-dialogical arts/media-led projects. She has long-held relationships with the families in In My Blood It Runs that began through work on the 2003 CAAMA Productions film Beyond Sorry. She respectfully acknowledges the sovereignty, leadership, history and futures of Arrernte and all other First Nations people.
