Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Ken MacLeod is the author of fourteen science fiction novels, from The Star Fraction (1995) to Descent (2014), and many articles and short stories. He has worked in IT, science communication and creative writing education. Active in Left politics from the 1970s to the 1990s, he is entirely to blame for everything that has happened since. He blogs at kenmacleod.blogspot.com and tweets as @amendlocke.
