Dženana Vucic on the subtle and not-so-subtle Marxist symbolism in Sailor Moon, John Docker, a "non-theatre person" by his own admission on The New Theatre, Sarah Schwartz on prison healthcare as punishment and the killing of Veronica Nelson, a poignant short story on memory and displacement from Nasrin Mahoutchi-Hosaini, Jeanine Leane's prize-winning poem, "Water under the bridge", and more.
Born from the Oklahoma flatlands of farmers and spring thunderstorms, Jason Nelson somehow stumbled into creating awkward and wondrous digital poems and interactive stories of odd lives, building confounding art games and all manner of curious digital creatures. Currently he professes Net Art and Electronic Literature at Australia’s Griffith University on the Gold Coast’s contradictory shores.
Aside from coaxing his students into breaking, playing and morphing their creativity with all manner of technologies, he exhibits widely in galleries and journals, with work featured around globe at FILE, ACM, LEA, ISEA, ACM, ELO and dozens of other acronyms. There are awards to list (Paris Biennale Media Poetry Prize),organisational boards he frequents (Australia Council Literature Board), and numerous other accolades (Webby Award), but in the web-based realm where his work resides, Jason is most proud of the millions of visitors his artwork/digital poetry portal secrettechnology.com attracts each year.
