Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Jasmine Barzani is a gen-y Kurdish troublemaker who is currently based on the unceded land of the Wurundjeri people. From No Borders to Anti-Facism, she believes that radical media is imperative in liberatory struggles. She is currently directing a short documentary film about housing, which uses her involvement in a 2016 squatting occupation in so-called Collingwood to critique property and the coloniality of housing.
