Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
David Stavanger is an Australian poet, performer, cultural producer, editor and lapsed psychologist. His first full-length poetry collection The Special (UQP, 2014) was awarded the Arts Queensland Thomas Shapcott Poetry Prize and the Wesley Michel Wright Poetry Prize. David co-directed Queensland Poetry Festival (2015–2017) and is a Senior Project Manager at Red Room Poetry. He is the co-editor of Australian Poetry Journal 8.2 Spoken, Rabbit 27 Tense, The Moth (Autumn 2020) and SOLID AIR: Collected Australian & New Zealand Spoken Word (UQP, 2019.) His new collection is Case Notes (UWAP, 2020). David is also sometimes known as Green Room-nominated spoken weird artist Ghostboy. These days he lives between the stage and the page.
