Dženana Vucic on the subtle and not-so-subtle Marxist symbolism in Sailor Moon, John Docker, a "non-theatre person" by his own admission on The New Theatre, Sarah Schwartz on prison healthcare as punishment and the killing of Veronica Nelson, a poignant short story on memory and displacement from Nasrin Mahoutchi-Hosaini, Jeanine Leane's prize-winning poem, "Water under the bridge", and more.
David Stavanger is an Australian poet, performer, cultural producer, editor and lapsed psychologist. His first full-length poetry collection The Special (UQP, 2014) was awarded the Arts Queensland Thomas Shapcott Poetry Prize and the Wesley Michel Wright Poetry Prize. David co-directed Queensland Poetry Festival (2015–2017) and is a Senior Project Manager at Red Room Poetry. He is the co-editor of Australian Poetry Journal 8.2 Spoken, Rabbit 27 Tense, The Moth (Autumn 2020) and SOLID AIR: Collected Australian & New Zealand Spoken Word (UQP, 2019.) His new collection is Case Notes (UWAP, 2020). David is also sometimes known as Green Room-nominated spoken weird artist Ghostboy. These days he lives between the stage and the page.
