Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Cassandra Pybus is nonfiction writer who lives in Tasmania. She is the prizewinning author of a dozen books published in Australia, United States, Britain and Canada and she has published extensively on slavery and the founding of the American Republic including Epic Journeys of Freedom: Runaway Slaves of the American Revolution and their Global Quest for Liberty (Beacon Press, Boston 2006).