Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Anny Vickery teaches at Deakin University. She is the author of Leaving Lines of Gender: A Feminist Genealogy of Language Writing and Stressing the Modern: Cultural Politics in Australian Women’s Poetry. She is also co-author of The Intimate Archive: Journeys through Private Papers and co-editor of Manifesting Australian Literary Feminisms: Nexus and Faultlines. She has published poetry in a range of national and international journals.
