Dženana Vucic on the subtle and not-so-subtle Marxist symbolism in Sailor Moon, John Docker, a "non-theatre person" by his own admission on The New Theatre, Sarah Schwartz on prison healthcare as punishment and the killing of Veronica Nelson, a poignant short story on memory and displacement from Nasrin Mahoutchi-Hosaini, Jeanine Leane's prize-winning poem, "Water under the bridge", and more.
Overland is unique in Australian writing in its equal dedication towards formal excellence and incisive argument, and towards foregrounding and amplifying politically marginalised and therefore politically necessary voices. We remain honoured and inspired by the opportunity of this experience, and we hope you come with us on its next and brighter chapter.
