Published in Overland Issue 240 Spring 2020 · Uncategorized Editorial Evelyn Araluen and Jonathan Dunk It feels like a decade has passed since we moved to Melbourne to take up work in the unceded lands of the Kulin nations. In our first days here, we attended several sessions of the Activism @ the Margins Conference, held in RMIT’s Capitol Theatre. It was perhaps the most diverse and interdisciplinary conference we’ve attended in our careers, with dozens of presentations challenging already contested boundaries of critical and creative performance. In the year we’ve all had, holding academic discourse accountable to material reality is a hell of a task, but one all scholars should consider central to their practice. In addition to our regular poetry and fiction, in Overland’s 240th issue we present a series of essays on the question of activism, drawn entirely from Globally Indigenous writers who contributed to that conference, organised by Olivia Guntarik and Victoria Grieve-Williams. Activism might be definitionally marginal in an institutional sense; and these essays are anything but conventional academic texts in the pejorative and quiescent sense of the term, as Guntarik and Grieve-Williams’ framing statement makes clear. N’Arweet Dr Carolyn Briggs’ essay on identity and connection situates activism within the history and traditions of Indigenous resistance. In ‘When I Speak, I Speak for the Land’ Adrian Burragubba articulates the importance of linking environmental activism to Indigenous sovereignty. Puralia Meenamatta-Jim Everett takes this point and expands it, linking the history of Indigenous survival to the activism of future generations. Our other essays examine similar thematic questions, interrogating moments of confl ict, histories of struggle and of solidarity between Indigenous epistemology, modern institutions, and other activist causes. The perspectives and forms presented here are as diverse as the voices of contemporary Indigenous writing. They articulate lives and struggles deeply marked by dispossession and colonial violence; they show the cost of resistance. But they also speak to hopes and pursuits which unify the oldest living cultures in the world in the conviction that we will continue to survive into the restoration of our sovereignties. Solidarity, bugalwan. Read the rest of Overland 240 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Evelyn Araluen Evelyn Araluen is a Goorie and Koori poet, researcher and co-editor of Overland Literary Journal. Her Stella-prize winning poetry collection DROPBEAR was published by UQP in 2021. She lectures in Literature and Creative Writing at Deakin University. More by Evelyn Araluen › Jonathan Dunk Jonathan Dunk is the co-editor of Overland, a widely published poet and scholar. He lives on Wurundjeri country. More by Jonathan Dunk › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.
