Published in Overland Issue 229 Summer 2017 · Uncategorized Fire poem Fiona Wright after Jim Jarmusch Lighting, perhaps, the cigarette of the woman you love for the first time – still carrying matches, for their smell, the way they suck the air in that first second. Lighting, perhaps, a mosquito coil, the single candle on a birthday cupcake: late summer, the cold kitchen floor. Lighting, perhaps, the letter you’ll never send, the tender skin inside your wrist, a gas oven with a broken pilot, nothing to steer yourself by. Nothing, lighting nothing, but holding the dead head, black and brittle in your hand. Read the rest of Overland 229 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 17 June 2026 · The university Financial power in the public university: the case of ANU Beck Pearse The deeper problem is institutional. Universities have elaborate mechanisms for scrutinising knowledge claims circulating between staff and students. But we have remarkably weak mechanisms for scrutinising the financial assumptions through which executive power is exercised. 1 15 June 202616 June 2026 · Reviews Transubstantiations: Toby Fitch’s Or Grace Roodenrys The final trick of Or is that in the end it stages something utterly universal: the search for a momentary recognition of ourselves in language, the maybe-hopeless pursuit of those “very exceptional circumstances” in which something half-truthful might be said, the unending attempt to build something that feels real with the limited resources one has. This is a very old, a very sacred enterprise. We might call it poetry.