Published in Overland Issue 229 Summer 2017 · Uncategorized Fire poem Fiona Wright after Jim Jarmusch Lighting, perhaps, the cigarette of the woman you love for the first time – still carrying matches, for their smell, the way they suck the air in that first second. Lighting, perhaps, a mosquito coil, the single candle on a birthday cupcake: late summer, the cold kitchen floor. Lighting, perhaps, the letter you’ll never send, the tender skin inside your wrist, a gas oven with a broken pilot, nothing to steer yourself by. Nothing, lighting nothing, but holding the dead head, black and brittle in your hand. Read the rest of Overland 229 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 April 202610 April 2026 · open letter Open letter: RMIT staff and students oppose disciplinary action against Gemma Seymour over video opposing links to weapons ties RMIT University Staff and Students Freedom of speech and expression is absolutely vital in academic institutions. Students who engage in activism should not be punished for doing so, and discipline procedures are not there to be abused as a tool of intimidation. We call for the disciplinary process against Gemma to cease immediately. 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.