Published in Overland Issue 227 Winter 2017 · Uncategorized Nakata Brophy Prize: Judges’ notes Jennifer Mills, Katherine Firth and Tara June Winch This year, the Nakata Brophy competition focused on the short story. Notes from the judges – author Tara June Winch, Trinity College’s Katherine Firth, and Overland fiction editor Jennifer Mills – are below, followed by the entry that placed first in this year’s competition, Evelyn Araluen’s ‘Muyum: a transgression’. The two runner-up stories, Amy McGuire’s ‘Tea and dying’ and Allanah Hunt’s ‘Invisibility isn’t only a power superheroes have’, are available to read at overland.org.au. First place Muyum: a transgression – Evelyn Araluen An extraordinary piece of writing from the first line to the last, this story really stood out for the judges. The hyper-lyrical, dreamy quality is thoroughly immersive, giving a sense of the inner life in a way that’s reminiscent of Eimear McBride. Some of the lines send shivers down the spine: the narrator’s ‘mouth full of ghosts’, the library that is ‘heap and broken image’. It is no surprise to us to learn that the author is also an accomplished poet who was a runner-up in the poetry section of the Nakata Brophy Prize last year. ‘Muyum: a transgression’ is a mysterious story with a living voice, one that will linger; we think it would make an excellent piece for radio. Runners up Invisibility isn’t only a power superheroes have – Allanah Hunt What begins as a story of young and apparently carefree friends on the cusp of adulthood ends with a reminder of the way their lives are mediated by structures beyond their control. The story’s descriptive quality and quiet menace impressed us, and its engaging dialogue kept us wanting to read more. Tea and dying – Amy McGuire A thoughtful, playful story that deals with the theme of mortality, building an intimate picture of a family piece by piece, introducing the reader to their circumstances with telling details. We felt this story well composed in terms of prose and imagery – here’s a writer able to navigate a spectrum of emotion between comedy and tragedy with lightness and ease. Read the rest of Overland 227 If you enjoyed this story, buy the issue Or subscribe and receive four outstanding issues for a year Jennifer Mills Jennifer Mills was Overland fiction editor between 2012 and 2018. Her latest novel, The Airways, is out through Picador. More by Jennifer Mills › Katherine Firth Katherine Firth is an academic and writers at Trinity College, University of Melbourne. More by Katherine Firth › Tara June Winch Tara June Winch is an Australian writer based in France and Australia. She has written essay, short fiction and memoir for Vogue, Vice, McSweeneys, and various Australian publications and anthologies. Her first novel, Swallow the Air won numerous literary awards. More by Tara June Winch › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 22 November 202422 November 2024 · Fiction A map of underneath Madeleine Rebbechi They had been tangled together like kelp from the age of fourteen: sunburned, electric Meg and her sidekick Ruth the dreamer, up to all manner of sinister things. So said their parents; so their teachers reported when the two girls were found down at the estuary during a school excursion, whispering to something scaly wriggling in the reeds. 21 November 202421 November 2024 · Fiction Whack-a-mole Sheila Ngọc Phạm We sit in silence a few more moments as there is no need to talk further; it is the right place to end. There is more I want to know but we had revisited enough of the horror for one day. As I stood up to thank Bác Dzũng for sharing his story, I wished I could tell him how I finally understood that Father’s prophecy would never be fulfilled.
