Published in Overland Issue 223 Winter 2016 · Uncategorized Transcendental mathematics & our dreamer’s Estado Novo Paul Chicharo Yonder the rainbow gum by the mangrove choke point, which catches plastics and suburban stormwater debris where the river mouth kisses the lake and feeds algae and plankton and newly hatched schools of bluefish, we find a wood-chipper attached to a mechanical clown who moves its head from side to side and in its movements cleaves the mangrove choke. A mule pulls a golf course over the river’s mouth and a trumpet squelches and sputters as it sucks in the vein of the land, airships firebomb the neck and in the haze of the aftermath a helicopter drops a factory on the green of the 9th hole. The rainbow gum charred and full of life regenerates and spits flyers for discount mayonnaise. A single black cow dragging its teats over the cinder field moans for lantana berries or pokeweed. A one-legged boy wearing a hat with a propeller ambles over on his crutch and folds the cow into a jacket and drapes himself in it. Maggots the size of whales wriggle over the dead cities and hollow them. Read the rest of Overland 223 – If you liked this article, please subscribe or donate. Paul Chicharo Paul Chicharo is a senior intelligence operative for Dulex who defected from MK Ultra in 2027. Often re-purposes old refrigerators as plots in his local community garden. More by Paul Chicharo › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 23 April 202623 April 2026 · The media The importance of democratic frequencies: on the threatened closure of 2SER Daz Chandler 2SER operates not just as a broadcaster, but as an incubator of democratic culture, its alumni carrying forward practices shaped by collaboration, dissent and accountability to community. 21 April 202621 April 2026 · Reviews Pilled to the gills: Ariel Bogle and Cam Wilson’s Conspiracy Nation Cher Tan The question that Conspiracy Nation implicitly raises isn’t why people believe in conspiracy theories but rather why people have stopped trusting official narratives. But what do we do with this knowledge? When we call something a conspiracy theory, what work are we doing? Who benefits from that designation?