Published in Overland Issue 220 Spring 2015 · Uncategorized Arcady Frances Olive I A northern branch – rough handled – right for curving the animal from me. In winter she opens: one white flower. Sticks lie flat across branches; raft on the fall of tree. One stick still burns a green flame, like a question or a falling child – testing the sharp edge, death. Ghosts stay in the cut wood. I play with the obedient ghosts, and never wonder about the other child who left so quietly this home-made. I take it in like apples, breaking the falling silence with the snap of hunger. II The wild has entered and planted fence stone full with native weed-fruit; the patience of seeds is water carrying time into the rock. This field is slipping dream toward the river – nature deciding itself (before un-nature is carried into life – sad monster sewn to the wrong soil gabbling a mixed patois). Bulbs speak their tongues in flower – promises of life in impossible places – the fall of living at the end of the cut. III We lie the blanket where the ground slopes west. It’s stars we want: they hang in the old tree their small cold fire. We offer up apples to the taking stars. Our talk tastes better that way; it’s measured and means enough. This second skin is tight with friendship in the hollow of words first tested – rashly bearing what we don’t know as wild turns on inside us, kids. She’s alone, breaking flowers when the deer startles in the dark – animal – white eyes hot above a heart. Misplaced, they both live briefly until the bell of breaking glass recalls her home. Frances Olive Frances Olive is an Australian poet and short story writer. More by Frances Olive › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 November 202427 November 2024 · Cartoons So much to tell you: or, piercing plant tissue with needle-like mouth-parts Sofia Sabbagh Looking for things meant I could enjoy the feeling in my body. Something like hope, or friendship. 25 November 202425 November 2024 · Reviews Poetic sustenance: a close reading of Ellen van Neerven’s “Finger Limes” Liliana Mansergh As a poem attuned to form, embodiment, sensory experience and memory, van Neerven’s “Finger Limes” presents an intricate meditation on poetic sustenance and survival. Its riddling currents exemplify how poetry is not sustained along a linear axis but unfolds in eddies and counter currents.