Published in Overland Issue 220 Spring 2015 · Uncategorized Paradise losing Georgina Woods Le paradis n’est pas artificiel, but melting and fermenting, it seems. The panting, perishing white lemuroid possum can’t get enough water, can’t cool her febrile body, drops from the canopy of a thousand-year-old tree, in a white whoosh of rushing light. Le paradis n’est pas artificiel, but unpredictable, these days. Short-tailed shearwaters cruise southward, but their fruitless fishing for squid during this too-hot November, leaves them knackered, and the shore-break delivers them to us, as they give up the ghost. Le paradis n’est pas artificiel, but becoming simpler, no doubt. The great blue homeland acidifies and corrodes its little calcite prawns, absorbs them, with a sigh, into the same soup that sloshes over the coral beds, turning them a general algal brown. Georgina Woods is an activist and poet working and living on Awabakal and Worimi land in Newcastle, Australia. An earlier version of this essay was shortlisted for the 2016 Nature Writing Prize. More by Georgina Woods › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 November 202427 November 2024 · Cartoons So much to tell you: or, piercing plant tissue with needle-like mouth-parts Sofia Sabbagh Looking for things meant I could enjoy the feeling in my body. Something like hope, or friendship. 25 November 202425 November 2024 · Reviews Poetic sustenance: a close reading of Ellen van Neerven’s “Finger Limes” Liliana Mansergh As a poem attuned to form, embodiment, sensory experience and memory, van Neerven’s “Finger Limes” presents an intricate meditation on poetic sustenance and survival. Its riddling currents exemplify how poetry is not sustained along a linear axis but unfolds in eddies and counter currents.