Published in Overland Issue 217 Summer 2014 · Uncategorized The PM and me Mark O'Flynn As a boy with Keating just after the Redfern Speech he looks as soft and innocent as a three day old chick. Keating doesn’t look bad either. He calls me uncle, but that’s a joke. I’m no uncle, though who else is there to ask? He wants to know what the word rapport means, pronouncing the ‘t’. I explain. He asks: ‘So can you have a bad rapport with someone?’ ‘If it was bad then you’d probably have no rapport.’ ‘So rapport is a good thing? Do we have rapport uncle?’ I am startled by the question. ‘I think so. Don’t you?’ ‘Shit yeah,’ and he answers seven across. He tells me when he worked for the fish market they paid him in crabs, which is why he went back and robbed them. Never earned an honest dollar in his life, he declares with misplaced pride in the rite of passage of these years. I find the Keating photo and print it out. He shows it to everyone. Me and the PM. The PM and me. It’s a where are they now moment. A star struck boy ignoring the gravitas and the weighty advice, looking at the PM’s suit. In his mugshot the hardened man, and the eyes of the boy who has seen too much go to waste who wouldn’t be paid in crabs. Mark O'Flynn Mark O’Flynn has published three novels, most recently The Forgotten World (2013), as well as four collections of poetry. His most recent book is White Light (2013), a collection of short stories. More by Mark O'Flynn › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 23 April 202623 April 2026 · The media The importance of democratic frequencies: on the threatened closure of 2SER Daz Chandler 2SER operates not just as a broadcaster, but as an incubator of democratic culture, its alumni carrying forward practices shaped by collaboration, dissent and accountability to community. 21 April 202621 April 2026 · Reviews Pilled to the gills: Ariel Bogle and Cam Wilson’s Conspiracy Nation Cher Tan The question that Conspiracy Nation implicitly raises isn’t why people believe in conspiracy theories but rather why people have stopped trusting official narratives. But what do we do with this knowledge? When we call something a conspiracy theory, what work are we doing? Who benefits from that designation?