Published in Overland Issue 213 Summer 2013 · Uncategorized Jazz hands Jessica L Wilkinson they were really into sax back then – big mouthfuls of it – no strings – the dream was to coast about, recklessly finding favour in back alleyways fingers up and down as loose coins in the pocket – jingle rhythmic pitched high to the sway – but notes fall like people do and music gets in deep as a low C – sustained all practiced hands are quick to find that frantic riffs give out to calm – all alleys lead to open doors and love – like death – moves in Jessica L Wilkinson Jessica L Wilkinson’s latest book of poetry is Music Made Visible: A Biography of George Balanchine (Vagabond Press, 2019). She is the managing editor of Rabbit and an Associate Professor in Creative Writing at RMIT University. More by Jessica L Wilkinson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 9 December 202411 December 2024 · Militarisation War stories: how weapons corporations create social licence for genocide Wage Peace The weapons industry remains masterful at propagating a number of quite specific false narratives to misdirect attention, not just at arms fairs, but across all their operations. This goes far beyond misrepresentation of police violence on protestors, and cumulatively aims to generate a social license, including for genocide.