Published 13 June 201126 March 2012 · Reviews / Main Posts / Culture At the Sydney Film Festival: If a Tree Falls Peter Francis If a Tree Falls: A Story of the Earth Liberation Front Directors: Marshall Curry & Sam Cullman ★★★★ The Earth Liberation Front is a loose group of environmentalists variously labelled radical activists and eco-terrorists. The first ELF activity in the United States occurred in the 90s in Eugene, Oregon: a centre for environmental and anarchist activism. The FBI would go on to call them ‘America’s number one domestic terrorism threat’. The movement in Eugene was originally ‘hippie protests’, as one participant dubbed them. Hippie protests being marches, placards and sit-ins. However, after the US Forest Service approved logging in what was a national park and then forcibly removed protestors, new action was taken. The movement split with a minority engaging in what they term monkey wrenching: essentially, economic sabotage and property destruction. One activist, Jake Ferguson, burned down the Oregon Ranger Station. The United States ELF crystallised around this action and have since carried out over 1200 actions. Usually vandalism and arson attacks. The group have a press office and spokespeople who receive anonymous communications from members. They encourage other cells to start up around the country, emphasising property damage and protection of human life. Following September 11 the media regularly painted the group as terrorists. Occasionally a qualifying ‘eco’ would be added as prefix but this was usually as much explanation for the attacks as was offered. Terrorism became a label to justify investigations and harsh punishments against the group. If A Tree Falls is a fascinating and challenging documentary that presents the group’s story predominantly through interviews with Daniel McGowan, an ex-member, who while under house arrest and awaiting trial for his involvement, allowed director Marshall Curry (Street Fight) into his home. Curry has a well-rounded approach to the subject that includes interviews with the business owners affected by the attacks as well as FBI investigators and police. If A Tree Falls is a film less about environmental destruction, and more about questioning activist tactics. Interestingly, climate change is not mentioned once in the whole film. The film contains archival footage including video by one activist filmmaker who captured the radicalisation of both the environmentalists and the police. As the protesters began to throw rocks, the police began to swing batons and beat people. There is an excruciating shot of police holding the heads of protesters and pepper spraying directly into their eyes after the protesters refused to move from their position protecting trees. The violence continued to escalate. The mismatch of force – riot gear and officially approved violence on one side, banners on the other – created the ELF. Curry doesn’t take a position on whether peaceful protest or the ELF’s actions are more effective or morally sound. But as Daniel asks: ‘when you’re screaming at the top of your lungs and no one hears, what are you supposed to do?’ Peter Francis Peter Francis is a student at UTS undertaking a Communications degree and majoring in Writing and Cultural Studies. This in no way prepares him for life outside university. More by Peter Francis › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 21 April 202621 April 2026 · Reviews Pilled to the gills: Ariel Bogle and Cam Wilson’s Conspiracy Nation Cher Tan The question that Conspiracy Nation implicitly raises isn’t why people believe in conspiracy theories but rather why people have stopped trusting official narratives. But what do we do with this knowledge? When we call something a conspiracy theory, what work are we doing? Who benefits from that designation? 1 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.