Published in Overland Issue 201 Summer 2010 · Writing / Main Posts Terminus Fiona Wright Little remains at track. Creepers, winding where the graded bed has grown so dank and soft it sponges at my toes. I sift the ballast, lift a stone, a sour-milk stem clings to its crevices, clasped in a veinery of roots. Sections of supporting walls remain at street level. The paint flakes scab under my fingers. The sun scrambles for the girders and gridlocked cars reverberate. Their drivers are silent. The blackened bricks leave crumbs on my clothes. Shortly before electrification. When I was young. I curled my fingers off my ticket-stub and caught the slipstream of the shunting carriages. I smelt soot in my hair for days, sour as fear. You never looked behind. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 4 October 202418 October 2024 · Main Posts Announcing the Nakata Brophy Prize for Young Indigenous Writers 2024 longlist Editorial Team Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its ninth year, recognises the talent of young Indigenous writers across Australia.