Published 6 February 202610 April 2026 · CoPower / Friday Poetry / ecology Massive glacier collapse compilation vol 9 Lach Valentine We Feel Time s-t-r-e-t-c-h-i-n-g out; a crevasse between / us m-o-v-i-n-g like a glacier collapse compilation on YouTube, streaming … in searing slow motion … Ice calves away, from itself, m e l t i n g a-part in great cascading curtains \\\ as if carved by the brutal centuries of Western civilization sharpened to the bloody tip of the knife we are pointing at anything that flickers, flowers, and beats our hearts, the trees, and the stars all set to be slaughtered in the Anthropocene™ we have set as revenge for the exile; the cumulative closing act of a Shakespearean tragedy the fulmination of a prophecy that this kingdom of means will end when the woods reclaim their roots Is it wrong to be somewhat warmed° by the scientific consensus that the icecaps are melting at an alarming rate? So that the idiom, of saying something is moving at a glacial pace — such as the time and the space that still separates us — — or how trees migrate and mitigate the heating of the Earth — might mean something aside from the apocalypse could happen, and soon? Surely life should really be shouted always until the end in all caps As in ICECAPS? As in TREETOPS? As in LOVE? Of course the comments underneath are all angry and frightened denial; pedants pointing out that “technically speaking” the polar bear in that Greenpeace ad wasn’t killed by climate change, it actually starved, which, for some reason seems like a better death sentence for humans to accept than the alternative, which is that things only ever happen and hunger like this because of the inevitable tragedies of life, some brutal instinct within the world that keeps the earth turning as if acting on its axis and us searching from the stars to our skulls for the solace of souls as if they might fall upon us somewhere within the gentle grace of snowflakes I am like the Muir glacier ominously mollified and falling apart Retreating from its namesake — who sung of snow melting into music — and looking more, each day like a puddling punchline to humanity’s time on earth spent burning the dead things up out of the ground or chopping the forests down until the sky falls in so that a hard rain is forever about to fall further fuel for the forest fires spreading each season like hands hurrying to meet across the space left on the face of the ticking doomsday clock I am putting entire ecosystems at risk with my spiking hot heart burning holes in everything; they say oceans are rising to the occasion But becoming a puddle is a trick for wicked Western witches who want to exit their narratives dramatically finally embracing their role as the villain of someone else’s story Speaking of which, is that Frankenstein’s motherless monster returning to us — all hot and bothered stumbling through a forest of blasted tree stumps cursing a fate in which he must wretchedly wander — because he was unable to find any wood with which to burn himself alive? I am a famished polar bear a monster made of man anxiously adrift on an ice floe Lingering upon thresholds where I don’t belong desperately hungry One of the few nonhuman animals that will actively hunt out the human heart when their lives depend upon Devouring it Harriet, I want you to eat my heart out of me so that we can collapse and coalesce into one another’s pulsating blood memory like a catastrophic climatic event, a wildfire lighting up the night’s horizon; an aortic aurora, or an ocean ablaze, a sun that won’t set the constellations inextinguishable in their careening cartwheeling conflagration Because seeing glaciers split from themselves, accompanied by the thunderous sound of centuries of ice falling in sheets and shards ages dissolving into the sea Drifting as snow stardust Pollux and Castor melting before me Seems like an appropriate analogy for the sense that my heart is cleaved clean from myself when it is not beating by yours and that the world might end if we cannot somehow stich our-selves back together Image: Naja Bertolt Jensen This piece is sponsored by CoPower, a non-profit cooperative that sells energy to households. What makes them different is their mission to change the energy system to make it work for people and planet rather than shareholders or corporate executives. You can get fair energy and help increase CoPower’s impact by switching your energy to CoPower here or by calling their local customer service team on 03 9068 6036. Lach Valentine Lach Valentine is a poet, educator, and activist living in Muwinina Country around Nipaluna/Hobart. He teaches Philosophy and English at a public senior secondary college on Kriwalayti/Mount Nelson. More by Lach Valentine › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 202624 April 2026 · Friday Poetry A slam dunk publication Michael Farrell Australians said, landed among manatees, did useful, / neatnesses, knitted, pleasingly. Spared liaisons, amassed, / mortal dangers, unforeseen, nor kids, prayed aloud. 1 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.