Published 13 December 2024 · Friday Fiction In case you missed it Paddy O'Reilly I posted a photo on Instagram of a fourth century Christian monastery formerly known for its mosaic floors, floral decorations and unusual geometric forms. I posted a video on Instagram of blankets here and there over a large yard. I posted a photo on Instagram whose colours were so vibrant that people took a while to realise they were seeing a human clothed in sand and scarlet ribbons. I posted a list of journalists’ names on Instagram. The list was too long for a post or a story so I made a reel. Instagram reminded me that reels with voiceover get more attention. I read aloud some of the names but I ran out of time to read them all. I posted a video on Instagram of the Minister for Foreign Affairs at a press conference, confirming the friendship of states. I posted a photo on Instagram of a grey tube, bigger than a man. There was handwriting on the tube in a language I couldn’t read. I posted a video on Instagram of a dog doing yoga. I addressed it to the algorithm and added hashtags about puppies, sunsets, beaches and funny memes. I posted a comment on someone else’s Instagram reel. I wrote that I had nothing left to say about what I had seen. I posted a photo on Instagram of people on the ground in a schoolyard. Instagram told me it would put a warning message on the post and asked if I would like to proceed. I proceeded. I posted a photo on Instagram of a man cradling his granddaughter. I posted a headline about statistics on Instagram. I placed beside it another headline that queried the statistics. I posted a video of a huge brown bear on a swing in a suburban backyard. I addressed it to the algorithm and added hashtags about holidays, love, kittens and flowers. I posted a video on Instagram of the Minister for Foreign Affairs at a press conference, expressing concern. I posted a video on Instagram of people in a race. They were carrying other people and limp children. I posted a photo on Instagram of a mother cradling her two sons. I posted a photo on Instagram of a bulging plastic bag carried by a young boy. I posted a photo on Instagram of a man in uniform playing with women’s underwear. I posted a video on Instagram of a series of explosions, all in a row, like a belt of fire. I posted a quote on Instagram from the Minister for Foreign Affairs, expressing concern. I posted a photo on Instagram of a tiny peacock spider with vivid blue markings and two jauntily extended legs. I addressed it to the algorithm and added hashtags about nature, arachnids, photography and mating rituals. I posted a photo on Instagram of a wide grey landscape studded with shards like broken teeth. I posted a photo on Instagram of people lying in awkward positions on a shattered concrete floor. I posted a video on Instagram of two men walking, then falling down. I posted a photo on Instagram of a part of a child. Instagram told me it would put a warning message on the post and asked if I would like to proceed. I proceeded. I posted a statement on Instagram from the Prime Minister calling for social cohesion. Paddy O'Reilly Paddy O'Reilly is the author of four novels and two short story collections. @paddyoreilly.writer More by Paddy O'Reilly › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 October 2024 · Friday Fiction How we know the forest’s name Jamil Badi The clouds lean upon the night with threat of a storm but I do not let them break. Yes, I am thirsty for rain, my barked fingers pruned a dry and brittle grey, but I make the clouds wait. A pair of them, boy and girl, he tracing his fingers along my bones, she kicking the leaves of my dead hair. I tell the storm to wait, for I can sense a story in these two, and there is no better thing to quench the throat than story. 13 September 2024 · Friday Fiction Hondachondria Tom Gurn Shortly after graduating from high school, Jack Goolbroom bought his first car, an old red Honda Civic, pocked with dents and dings more numerous than the acne scars spattering his pallid cheekbones. The red paint was sun-damaged, acid-washed to almost-pink on the roof, as if it had suffered third-degree burns in a housefire.