It is here that Camp Miasma exists, no longer in the edges, but fully formed. It wasn’t until watching Little Death gloriously slaughter a party full of camp leaders in slashy horror schlock, filmed like an early 2000s music video, that I realised what I truly wanted in trans cinema.

Connell asserts that every single person experiences gender trouble, and that any platonic ideal of a nuclear family is precisely that — an immaterial fabrication that pits trans and cis people against each other unnecessarily.