Published 9 November 201623 January 2017 · Poetry / Reflection / aesthetics / Politics Giant Dog: our new poetry podcast Editorial team i was flying over sydney in a giant dog Things looked bad – Michael Dransfield Welcome to Giant Dog, the new Overland poetry podcast! In this podcast, Overland poetry editor Toby Fitch will speak with poets published in the journal, who are invited to delve into the archives and read a poem from any prior issue of Overland, whether that be a poem from the early days of the 1950s and 1960s or something more recent. In each edition, the guest poet will read and discuss the archival poem with Toby, and then read and discuss their new work. This inaugural edition focuses on the special seventeen-poet collaboration edited by Corey Wakeling that Overland recently published, ‘On the Occasion of Gig Ryan’s Sixtieth Birthday’, and the work of Gig Ryan more generally. The historical poem Corey Wakeling and the other special guest, Overland editor Jacinda Woodhead, discuss with Toby is ‘All the dates are set’, first published in Overland in 1978, when Stephen Murray-Smith was still editor. The podcast The poem from the archives ‘The dates are all set’ Gig Ryan, 1978 The distinguished overseas guests are bashful, lonely as hell being fingered by flabby compliments and invitations Drinking, but not too much he’s wrapped in his fluffy Christianity, that coddles now like unprocessed wool, his sheep’s jaw screws up into an insular smile, then it’s lax in an odd country for a time desolate, unaware There seemed no harm, less risk. The heart’s in the right place, but something’s sagging crudely He shifts his glass from hand to hand, an occupation like baldness, a perimeter. The loudness measures him critically deluded, in an egalitarian approach. He misses the point, wondering if he should look that way, or if he needs to The Pope’s word is inflammable that is, not likely to catch on fire (my brother said that), and the guests are coated with throw away satisfaction that doesn’t quite cover but the crowd’s thoughtless enough. The exit door rises up like the Harbour Bridge Read the newly published collaboration discussed here, ‘On the Occasion of Gig Ryan’s Sixtieth Birthday’. Image: ‘Giant, Stalking Dog, Wasteland’ / flickr Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 7 November 20247 November 2024 · colonisation After the pale Josie/Jocelyn Suzanne The violence the colony must use to naturalise itself, to vampirise its vitality in acts of dispossession/accumulation, is one that — when it is not converting land into material — must frame violent resistance as a fundamental break in its monopoly over life and death, over the land.