Published 5 October 2012 · Writing / Reading Overland Emerging Poets Series: Stephen Nichols Peter Minter 2011 Overland Judith Wright Poetry Prize for New and Emerging Poets commended poet: Stephen Nichols Stephen Nichols is a Melbourne-based playwright and poet. In 2006 he had a seminal moment and decided he wanted be professional writer. Since then he has had a dozen or so plays produced and has written lots of poetry and short stories. He has a diploma of Professional Writing & Editing, and has recently started his Masters in Writing and Literature. Emergent While I wait for my beard to grow I tie hare’s-ear nymphs with brass bead-heads that imitate the emergent mayfly and caddis. Every morning my wife stands next to me, she doesn’t speak, she doesn’t understand. I am an irritation like the midges that bite her legs. My beard has turned to ivy; it hides a nest of yellow tail finch eggs that if discovered she will eat for breakfast. Water laps at my chin, smelt nibble at my bark, I have become a hollow tree who will soon disappear under the men in fishing boats. Through the meniscus I see the shadow of a mayfly drying its new wings in the evening sun. Gasping for air, I swim towards the sky. Who are you reading now and why do they turn you on? At the moment I am reading the Collected Works of Roger McGough (Penguin, 2004). Roger is my main man, my go-to-guy, when it comes to poetry. When I started out writing poetry I thought my task was to make both the reader and I as depressed as possible. I quickly learnt that this was not a bandwagon I wanted to ride. Instead I sought out poets that made me feel good about myself and the world around me. Roger is one of those poets. I could read Mafia Cats and Goodbat Nightman a million times and they would still leave a grin on my face. How often do you write? Do you have a writing practice? Not often enough. When I write I need to get away from life’s distraction and excuses. More often than not I will go to the Latrobe Reading Room at the Victorian State Library. This writing-space makes me feel smarter and I love the resonance. All the chairs squeak and there is always someone coughing. I actually like noise when I write – I can’t stand the sound of silence. I’m an excellent procrastinator – although I call it thinking. There is no point sitting down to write if you have nothing to say. This is not a lie if you believe it. When you think of Australian poetry, do you see an elephant in the room? If so, what is it? I never think of Australian poetry. I read who I like regardless of where they come from. I am no more inclined to buy a book just because it was written by an Australian author. Having said that, I do love Australian poets like Cate Kennedy and Kristin Henry. Peter Minter Peter Minter is a leading Australian poet and writer on poetry and poetics, and Overland’s outgoing poetry editor. More by Peter Minter › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 March 202610 March 2026 · Writing The role of the committed writer in an unfree world André Dao No, the committed writer is a movement writer. I mean that the committed writer knows that they know very little, and that the way to remedy that ignorance is through solidarity with people in struggle. 1 1 December 20251 December 2025 · Writing With respect to the poor essay Jonno Revanche Style is now a feature that we surrender to a digital pattern recognition machine, which attempts to replicate our own but often falls short, feeling convincing enough but too superficial in its noticing to get to the heart of human concerns.