15 July 201015 July 2010 Main Posts Poetry review – My father’s tools Koraly Dimitriadis My father’s tools Tom Petsinis Arcadia The relationship between father and son is explored in Tom Petsinis’s sixth poetry collection My father’s tools, published by Arcadia. The poetry, accompanied by the artwork of Jim Pavlidis, is series of poems, each named after a tool in Petsinis’s deceased father’s toolbox. Although each short poem can be enjoyed in isolation, the power lies in reading them together, chronologically. As a whole, the collection paints a portrait of a complex relationship – father and son – beginning at the surface and chiselling deeper to its core. This was my first read of Tom Petsinis and from the first page I was gripped by the sadness and loss. With a melancholy rhythm and rhyme, each word carefully thought out and placed, Petsinis carried me on an emotional journey and had me reflecting on experiences with my own father, and the inadequacy children of migrants feel when they don’t meet expectations. Petsinis begins with this pressure of expectation in the poem ‘Pencil’, and describes finding his father’s pencil in the toolbox before beginning this book: A lifetime later, and heading your advice, I’m scribbling on concrete, drafting this The gap between tradesman father and writer son is apparent in this poem, and so is Petsinis’s need to make sense of the relationship and pay tribute to his father’s legacy. Progressing through the collection, the nine piece poem ‘Adze’ is a snapshot of his father’s entire life, beginning in the villages of Greek Macedonia and reflecting on the heartache felt by parents sending their children away in the hope of a better life, then moving on to the migration to Australia and the feelings of misplacement and nostalgia living in suburban Fitzroy in the 60s. Condensing a lifetime in just a few pages, I was overwhelmed by emotions usually felt over longer durations in these few minutes of reading: Grandmother blessed your suitcase With a sprinkling of red wine, Packing this tool, an icon of St George ‘Scissors’, the poem that resonated with me the most, describes the scissors Petsinis’s mother would use for cutting calico, and how when she died, her scissors fell to his father’s toolbox, ‘their stainless steel colder than chisel or file’: When you descended into her grave, (Together again, like angled blades closing as one), They challenged my left-handed daughters, Who adjusted to accommodate them: Snipping springs of the basil you planted for us, Mum’s roses overflowing with womanhood This poem invoked unease in me, and this was further accentuated by Pavlidis’s black and white image of a pair of scissors descending underground, into the earth. Throughout this powerful collection of imagery, references to religion and the Balkan war continued to emerge. The further I progressed into My father’s tools, the more I realised that these heavy, rusty tools, used as an over-arching theme for the collection, were really a metaphor for the heavy, rusty unspoken words between father and son. These ‘tools’, which Petsinis keeps in his life, like the horseshoe that served as a deadweight on his desk, are a constant reminder of his father, and are tools which, no matter how much they weigh him down, he cannot let go of, because they are all he has left: It’s been a decade since you died, But they remain, a legacy of sorts, Set by your galvanising touch. I see you in the shape of my hand Rummaging for the nail That crucifies father to son. A highly recommended read for lovers of poetry, but also for readers interested in themes relating to migrants and the children of migrants. Koraly Dimitriadis Koraly is a widely published Cypriot-Australian writer and performer. She is the author of the controversial Love and F**k Poems. Koraly received an Australia Council ArtStart grant. She presents on 3CR radio and has a residency at Brunswick Street Bookstore. Her 2013 La Mama show is Exonerating The Body. She is mentored by Christos Tsiolkas. More by Koraly Dimitriadis Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 24 February 202317 March 2023 Main Posts Final Results of the 2022 Judith Wright Poetry Prize Editorial Team Overland, the judges and the Malcolm Robertson Foundation are thrilled to announce the final results of the 2022 Judith Wright Poetry Prize. First published in Overland Issue 228 24 February 202317 March 2023 Main Posts Final Results of the 2022 Neilma Sidney Short Story Prize Editorial Team Overland, the judges and the Malcolm Robertson Foundation are thrilled to announce the final results of the 2022 Neilma Sidney Short Story Prize.