Published 1 July 201026 March 2011 · Main Posts Meanland extract – On Wholphin, and other things McSweeney Jacinda Woodhead I’m not sure if you’ve heard, but journals are no longer confined to the printed periodical. Shocking, yet true. Even in traditional publishing spheres, content production is being approached in pioneering ways. The publishing house that immediately comes to mind – and I swear I’m not a McSweeney’s fanatic – is, well, McSweeney’s. McSweeeny’s publish books, translated texts, the Voice of Witness series (a series of oral histories focusing on social justice), McSweeney’s Quarterly Concern, The Believer and Wholphin. Part of McSweeney’s raison d’être is an honest attempt to offer quality of content and production. And their innovation has payed off; how many publishing houses can claim that other endeavours have been funded by a quarterly journal for the past 11 years? (I don’t have the figures, but imagine it’s few.) Read the post over at Meanland. Jacinda Woodhead Jacinda Woodhead is a former editor of Overland and current law student. More by Jacinda Woodhead › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 4 October 20246 October 2024 · Main Posts Announcing the Nakata Brophy Prize for Young Indigenous Writers 2024 longlist Editorial Team Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its ninth year, recognises the talent of young Indigenous writers across Australia. 16 August 202416 August 2024 · Poetry pork lullaby Panda Wong but an alive pig / roots in the soil /turning it over / with its snout / softening the ground / is this a hymn