Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
In an era of increasing economic inequality and social alienation, community-building, collective political action and workers’ unions are more vital than ever.
How does money, time, and power alter our daily lives, limiting some while others rise to the ‘top’? In our work, our lives, and our communities, how should things be? How might we change our collective future?
The Fair Australia prize encourages artists and writers of fiction, poetry and essays to explore these questions. We want artists and writers to be part of setting a new agenda.
Winning entries will be published in a special Fair Australia supplement in Overland 237, to be launched in Melbourne in early December.
Entry to the Fair Australia Prize is free.