Published in Overland Issue 210 Autumn 2013 · Uncategorized Issue 210 Editorial team Contents Regulars Jeff Sparrow – Editorial Alison Croggon Rjurik Davidson Features Aaron Bady Zero dark Geronimo The novel in the age of terror Alyena Mohummadally ‘I thought I was the only one!’ CAL–Connections: On coming out queer and Muslim Francesca Rendle-Short Field guide to writing a father On piecing together a relationship Panagiotis Sotiris The dark dawn of Greek neo-fascism Nazism in the heart of Europe Martin Kovan The year of great burning Tibet and the challenge of self-immolation Kate Davison My German question Israel, Palestine and the German Left Dean Biron The aesthetics of conservatism The case for uncomfortable art Philip Mirowski, Jeremy Walker and Antoinette Abboud Beyond denial How environmentalists confront the wrong problem Guy Rundle Chaos and convergence Why hacktivists and the Left need each other Poetry Prize Peter Minter – Judge’s report Luke Fischer Augury? First place Fiona Hile The owl of Lascaux Second place Myles Gough The watchmaker’s wrath Third place Fiction Theresa Layton The cartography of foxes Andrés Vaccari American djinn Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 2024 · History Anzac Day and the half-remembered history of the Anzacs in Palestine Bill Abrahams and Lucy Honan Schools are deliberate targets for government-funded mystification about Australia’s role in wars. Such instances of official remembrance crowd out the realities of war, and the consequences of Australia’s role in imperialism. As teachers, we should strive to resist this, and we should introduce our students to a fuller understanding of the history of the Anzacs. 22 April 2024 · Gaming Game-death in infinite game-worlds: Darkest Dungeon 2 Josie/Jocelyn Suzanne Death is the ultimate stamp of value. It was invented to sell arcade-like 1 Up repetition to the home market. To read politics in videogames is to learn to read necropolitically, which is why gamers don’t like politics.