Published in Overland Issue Audio Overland · Uncategorized Audio Overland Maxine Beneba Clarke Contents Maxine Clarke − Editorial Poetry Brought up by a small town – Jacky T Tong Xing – Juliana Qian Climbing – Benjamin Solah What will be left of us? – Omar Musa All creatures feel fear – Eleanor Jackson Michael Hutchence – Sean M Whelan Almost always – Dominica Nicholls Maxine Beneba Clarke Maxine Beneba Clarke is an Australian author and slam poet of Afro- Caribbean descent. Her short fiction collection Foreign Soil won the 2015 ABIA Award for Best Literary Fiction and the 2015 Indie Award for Best Debut Fiction, and was shortlisted for the Stella Prize. Her memoir, The Hate Race, her poetry collection Carrying the World, and her first children’s book, The Patchwork Bike, will be published by Hachette in late 2016. More by Maxine Beneba Clarke › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 21 February 202521 February 2025 · The university Closing the noose: a dispatch from the front line of decasualisation Matthew Taft Across the board, universities have responded to legislation aimed at rectifying this already grim situation by halting casual hiring, cutting courses, expanding class sizes, and increasing the workloads of permanent staff. This is an unintended consequence of the legislation, yes, but given the nefarious history of the university, from systemic wage theft to bad-faith bargaining, hardly a surprising one. 19 February 2025 · Disability The devaluing of disability support Áine Kelly-Costello and Jonathan Craig Over the past couple of decades, disabled people in much of the Western world have often sought, or agreed to, more individualised funding schemes in order to gain greater “choice and control” over the support we receive. But the autonomy, dignity and flexibility we were promised seems constantly under threat or out of reach, largely because of the perception that allowing us such “luxuries” is too expensive.
