Published in Overland Issue 213 Summer 2013 · Uncategorized I didn’t know your eyes were blue Mark Mordue It’s possible to forget a lot of things in the fullness of time: My father’s eyes, the pale intensity of distance, how it all began. I’m sleeping badly now. Dirt on a coffin, a credit card, loneliness, Poetry streaming through my head, a disarranged message That never has an end, am I writing it or having seizures? We are all electric. I sense holes in my chest, panic in half hour moments, Sun and shadow, the motion of leaves outlined through a window And cast upon a kitchen floor adding up to something warm. I can’t stop hugging my children and brushing their hair with my fingertips, Saying things that don’t sound right to strangers, As if I have slipped out of myself and away, Leaving a fragmented self like those night poems of incoherence and sorrow And panic and love: death comes in spasms. Missing my father and being a father: I think this must be what tears are like for me. Blue electric tears from the mind’s eye falling over time forever. Mark Mordue Mark Mordue is a writer, journalist and editor working internationally. He is a co-winner of the 2014 Peter Blazey Fellowship, which recognises an outstanding manuscript in the fields of biography, autobiography or life writing. More by Mark Mordue › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 April 202610 April 2026 · open letter Open letter: RMIT staff and students oppose disciplinary action against Gemma Seymour over video opposing links to weapons ties RMIT University Staff and Students Freedom of speech and expression is absolutely vital in academic institutions. Students who engage in activism should not be punished for doing so, and discipline procedures are not there to be abused as a tool of intimidation. We call for the disciplinary process against Gemma to cease immediately. 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.