Published in Overland Issue 211 Winter 2013 · Uncategorized Issue 211 Editorial team Contents Regulars Jeff Sparrow – Editorial Alison Croggon Judy Horacek Stephen Wright Rjurik Davidson Features Stephanie Convery Pump On bodybuilding Jill Dimond Ned Kelly’s skull Who took Ned’s head? Jacinda Woodhead All those women Abortion and the Deep North Jennifer Mills and Benjamin Laird Paying the writers A dialogue about writing and money Anwyn Crawford The possibility of patronage The pros and cons of crowdfunding Giovanni Tiso ‘The Net will save us’ Political solutionism and the Five Star Movement Guy Rundle The one day of pure form The paradoxes of Anzac Ramon Glazov The innocence of Australians Security nightmare lit Anna Greer All at sea Sailing with Sea Shepherd Fiction Ryan O’Neill The traveller Helen Gildfind The ferryman Warwick Newnham Peregrinus Requiescat Poetry Louise Molloy Stop staring at my nuts Joel Ephraims Maelstrom Barry O’Donohue Vietnam ritual Philip Hammial Trapeze Angela Gardner Three Lessons from a Market Economy Jules Leigh Koch The shearwaters Stella Rosa Mcdonald Natural editors Cameron Lowe Watching the players Banjo James Take away sonnet John Leonard Autumn day Luke Whitington The swallows in Saint Peter’s Square Graphics Lofo Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 June 20265 June 2026 · Friday Fiction Hobo portraits: Treadly Tim & the falling star Patrick Holland We crossed the half-buried railway line and the crazy man known as Treadly Tim turned a corner around the van park on Simeon Street and came toward us on his Malvern Star bicycle. 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us.
