The Overland Writers Residency, supported by the Copyright Agency Cultural Fund, is an initiative aimed at addressing a lack of opportunities for under-represented writers. Following the success of Overland’s inaugural Writers’ Residency in 2016, this year’s residency will be open to Indigenous writers at any stage of their writing career. Applications close Sunday 24 September, 2017.
One way to read poetry in Australia is to see it as being in a constant state of conflict. For the most part, this is a cold war where poets argue with poets in very poetic ways – the outcry about Geoff Page’s Southerly blog probably counts as the outer limit of this activity, which manifests more often in email exchanges, reviews that are compliment sandwiches or gossipy asides. Sometimes this breaks out into the open, as we saw when John Kinsella took out a restraining order against Robert Adamson and Anthony Lawrence and which the Sydney Morning Herald covered in 2006.
Join Overland’s editor Jacinda Woodhead in conversation with Tony Birch, Jeff Sparrow and Micah White as they discuss whether our system of government can survive the current attacks to its integrity at this year’s Melbourne Writers Festival.
We need to remember the history of marriage even in the midst of making the argument for equal access. Otherwise we risk becoming inadvertently ahistorical and conservative, both in argument and politically. Looking to the history of marriage and to the history of queer liberation also helps to remind us that there are many ways to conceive of what constitutes a relationship, and many ways to express love outside of marriage, even outside of ‘relationship status’. And critically, this history helps us to imagine the vast possibilities for difference in the present and in the future.
Overland and Victoria University are pleased to announce that the four judges of this year’s Victoria University Short Story Prize for New and Emerging Writers – author Frank Moorhouse, UQP editor Ian See, writer and academic Enza Gandalfo and Overland’s Rachael McGuirk – have reduced this year’s 800 entries to a shortlist of ten stories.