‘Some dark shit’

Type
Polemic
Category
United States
Violence

In Ta-Nehisi Coates’s powerful polemic Between the World and Me, racism in America is seen as the equivalent of a physical law of the universe, a cosmic injustice with tenacious gravity. When a cop kills a black man, Coates explains, the officer should be understood as ‘a force of nature, the helpless agent of our world’s physical laws.’ Society is equally helpless against this natural order because in America, ‘it is traditional to destroy the black body – it is heritage’.

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jez
Type
Reflection
Category
Music
Politics

When Corbyn flicked wrist, did magic, at Glastonbury

The words come from another time, but they spoke to the real significance of Corbyn’s appearance on Glastonbury’s mainstage. Shelly wrote The Masque of Anarchy to mark the occasion of the Peterloo Massacre. An occasion when, on another summer day 198 years prior, a rally of between 60,000 and 100,000 English workers was violently attacked by a local militia, while peacefully protesting for the right to elect their MPs.

Unbreakable crop2
Type
Announcement
Category
Events

Launch of Unbreakable, a new feminist anthology

From 6pm, Monday 24 July
Readings Hawthorn

A new anthology reflecting on violence against women. Editor Jane Caro will launch the book alongside readings from and discussions with contributors Rebecca Lim and Overland editor Jacinda Woodhead.

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Type
Article
Category
Capitalism
Technology

The billionaire class won’t save us

Who, I wonder, will play Elon Musk in the inevitable biopic? Were such a film made tomorrow, it would be easy to imagine John Barrowman in the lead role. Beyond the obvious physical similarities – square-jawed and Hollywood B-list handsome – both are around fifty, and exude that slight exoticness that comes from having attained US citizenship after being born elsewhere (Musk in Pretoria, Barrowman in Glasgow).

Yee I_lann internal crop
Type
Art

Guest artist for Overland 227: Yee I-Lann

Artwork for this edition by guest artist Yee I-Lann.

I-Lann studied at the University of South Australia and at St Martins School of Arts in London. Their photomedia-based practice speculates on issues of culture, power, neo-colonialism and historical memory.