Cashmere subverts the ‘single story’ of South Asia by presenting the migrant experience in all its multiplicity. Riz code switches between ‘observant Muslim’ and ‘Brit-rudeboy’ and Heems is a ‘sexy mother-fakir’.
Testimonials adorn the walls of an otherwise ordinary suburban joint, giving praise to the delicious food and fabulous service. For years it has been a cheeky past time of Members’ of Parliament to leave a note. There’s a joke that if you’re not on the wall, you’re not legit. After requesting a table for two, we were seated next to the restaurant’s latest acquisition: a note by Pauline Hanson. ‘I don’t like it! I love it! Please explain’, it said, signing off with, ‘Pauline Hanson, Now Senator’.
Overland and judges Stephanie Bishop, Aviva Tuffield and Tony Wheeler are pleased to announce the winning entries in this year’s Neilma Sidney Short Story Prize.
Back in October 2014, there was public outcry when Queensland tabloid the Courier-Mail ran the lurid headlines ‘Monster chef and the she male’ and ‘Ladybody and the butcher’ when covering the case of Mayang Prasetyo, a transgender woman who was murdered by her partner.
Like so many other well-meaning white people, Professor Garrod’s motives in going to Rwanda are ostensibly good. Having lost the sense of meaning and purpose he once derived from his Ivy League professorship, he decides to go to Africa to ‘make a difference’. The film charts the months of rehearsals and, over time, his altruistic veneer slips. Just under the surface, a mindset that’s essentially that of the early colonialist – namely the missionary – begins to emerge