Is Hegel dead?

Type
Article
Category
History
Liberalism
Philosophy

For many of us, the US election of 8 November was the apogee of a year of regressions. Historical progress implies directionality, and 2016 was a leap into the dark as far as human history is concerned.

2016 should have us reaching back into the past for answers. To find out how both the Left and the mainstream Right got history so unfathomably wrong, we should delve into previous conceptions of historical progress.

Australia Woods Jungle Forest Trees Landscape
Hamnett Slogans 1983
Type
Reflection
Category
Culture
LGBTQI

‘Choose life’: a short history

1984 was the time of radical deregulation, ‘trickle down’ economics, extreme tax breaks for the rich and a freeze on wages. This was the year Margaret Thatcher identified trade union leaders as ‘the enemy within’. In March that year British miners went on strike and for the next 12 months, Thatcher’s government would deploy brutal state force to eventually break them, achieving a major victory for the neoliberal economic agenda.

Still from Bergen
Type
Article
Category
Culture
Television

Finding inner peace in a late-capitalist age

Slow TV (Sakte-TV) is a Norwegian concept that has captivated its native country, drawing in millions of viewers to watch the most mundane of events. The first episode, which aired in 2009, was a seven-hour train journey from Bergen to Oslo that was watched by a million Norwegians. Other shows followed, including twenty-four hours of salmon fishing, six hours of making a fire and watching it burn, and a twelve-hour knitting marathon.

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Type
Announcement
Category
Prizes

The results of the 2016 Judith Wright Poetry Prize

For the first time in its history, the Overland Judith Wright Poetry Prize has resulted in a tie; as such, the prize money for this year’s first and second place will be combined, and split evenly between the two poems that have placed equal first.

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Type
Review

February in fiction

New author Gina Cole bursts onto the Pacific writing scene with this absurdly good collection of short stories. Cole’s work has been described as Fijian infused, queer-inflected, and part of the Pasifika diaspora. But here is an author who refuses to be pigeonholed. Nuanced and sophisticated, Cole’s book challenges the idea that a cultural ‘other’ may only be one thing.