Dženana Vucic on the subtle and not-so-subtle Marxist symbolism in Sailor Moon, John Docker, a "non-theatre person" by his own admission on The New Theatre, Sarah Schwartz on prison healthcare as punishment and the killing of Veronica Nelson, a poignant short story on memory and displacement from Nasrin Mahoutchi-Hosaini, Jeanine Leane's prize-winning poem, "Water under the bridge", and more.
NOTE: Overland’s current response period is up to 6 months due to the large volume of submissions received. We appreciate your patience as we carefully consider all pieces through multiple readings and endeavour to respond as quickly as possible.
Overland relies on its subscribers for survival. While all work will be read, we cannot guarantee response times to submissions by non-subscribers. You can support Overland by becoming a subscriber.
Overland publishes an online magazine of literary, political and cultural analysis and polemic. Unsolicited contributions are welcomed. While the magazine is eclectic, the online format generally favours short, punchy and topical articles. The rate for online articles is $150. Our online editors are Giovanni Tiso, Evelyn Araluen and Jonathan Dunk.
While we have tremendous respect for the form, we don’t publish personal essays or creative non-fiction in the online magazine, unless they are very consistently linked to political concerns.
If you’re pitching an article idea instead, visit our pitch page.
Current Overland subscriber? Click here to submit your online piece. Not yet an Overland subscriber? Click here to submit your online piece. (Remember, you can support Overland by becoming a subscriber.)
Current Overland subscriber? Click here to submit your online piece.
Not yet an Overland subscriber? Click here to submit your online piece. (Remember, you can support Overland by becoming a subscriber.)
The print edition of Overland publishes essays, polemics and other hard-hitting articles with a strong cultural or political analysis. As a quarterly, it cannot carry news articles or other content that will date quickly. Because space in the print edition is necessarily limited, material submitted in this category must justify its inclusion on the basis of originality, style, theoretical profundity or similar basis – it must, in short, stand the test of time. Academic articles may be refereed, but Overland is a generalist publication and discourages specialist or narrowly scholastic submissions. The standard payment for nonfiction print essays is $500. Our print edition editors are Evelyn Araluen and Jonathan Dunk.
Current Overland subscriber? Click here to submit your piece. Not yet an Overland subscriber? Click here to submit your piece. (Remember, you can support Overland by becoming a subscriber.)
Current Overland subscriber? Click here to submit your piece.
Not yet an Overland subscriber? Click here to submit your piece. (Remember, you can support Overland by becoming a subscriber.)
Copyright
The Copyright Agency Ltd is authorised to collect charges for photo and electronic copying of published material. Overland distributes money received for copying in the proportion of 80 per cent to authors and 20 per cent to the publisher. Copyright remains the property of the authors.
