Published in Overland Issue 211 Winter 2013 · Uncategorized Issue 211 Editorial team Contents Regulars Jeff Sparrow – Editorial Alison Croggon Judy Horacek Stephen Wright Rjurik Davidson Features Stephanie Convery Pump On bodybuilding Jill Dimond Ned Kelly’s skull Who took Ned’s head? Jacinda Woodhead All those women Abortion and the Deep North Jennifer Mills and Benjamin Laird Paying the writers A dialogue about writing and money Anwyn Crawford The possibility of patronage The pros and cons of crowdfunding Giovanni Tiso ‘The Net will save us’ Political solutionism and the Five Star Movement Guy Rundle The one day of pure form The paradoxes of Anzac Ramon Glazov The innocence of Australians Security nightmare lit Anna Greer All at sea Sailing with Sea Shepherd Fiction Ryan O’Neill The traveller Helen Gildfind The ferryman Warwick Newnham Peregrinus Requiescat Poetry Louise Molloy Stop staring at my nuts Joel Ephraims Maelstrom Barry O’Donohue Vietnam ritual Philip Hammial Trapeze Angela Gardner Three Lessons from a Market Economy Jules Leigh Koch The shearwaters Stella Rosa Mcdonald Natural editors Cameron Lowe Watching the players Banjo James Take away sonnet John Leonard Autumn day Luke Whitington The swallows in Saint Peter’s Square Graphics Lofo Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 23 May 2025 · Health Data visits like a minor god Alex Gardens Glucose Goddess’ approach is enticing because it appears to put power in the individual’s hands, so long as they are happy to have a shot of vinegar before a meal. However, rather than being individually empowering, it leads us away from good food and good health as something that we must pursue together, and is currently unequally accessible. 22 May 202522 May 2025 · Reviews Limited hangouts: a review-interview of John Hughes’ Twilight Time Cher Tan Released in 2024 and screened for the first time at the Melbourne International Film Festival, Twilight Time charts Des Ball’s life and work. Yet it is also about one of the biggest elephants in Australia’s room: its close ties with the United States of America.
