Published in Overland Issue 208 Spring 2012 · Uncategorized Issue 208 Jeff Sparrow Contents Regulars Jeff Sparrow − Editorial Judy Horacek Alison Croggon Rjurik Davidson Features Jonathan Green The end of a world An elegy for the newspaper Alex Mitchell Fatal obsessions Murdoch’s early years Anwyn Crawford Fat, privilege and resistance A response to Jennifer Lee Matt Cornell Outsider porn Adult goes indie Juliana Qian The name and the face CAL-Connections: On not speaking Chinese Malcolm Harris Twitterland Meanland: The radical terrain of social media Rebecca Giggs Imagining women Feminism and nonfiction Michael Green The cooperation A collective response to unemployment Fiction Jennifer Mills − Architecture Davide Angelo − Double tap Jannali Jones − Blancamorphosis Stephanie Convery − Big river Poetry Todd Turner − Clockwork Lawrence Upton − Human Tissue Cassandra Atherton − Bonds Campbell Thomson − Australia is a film about a red dog Tim Thorne – Honesty Paula Green – Picking Grapes Adam Aitken – Old Europe (2) Shari Kocher – Bellbird Gully Michelle Gaddes – The Tap Julie Maclean – without a city wall Graphics Bruce Mutard Paper planes Sam Wallman cover Jeff Sparrow Jeff Sparrow is a Walkley Award-winning writer, broadcaster and former editor of Overland. More by Jeff Sparrow › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 2024 · History Anzac Day and the half-remembered history of the Anzacs in Palestine Bill Abrahams and Lucy Honan Schools are deliberate targets for government-funded mystification about Australia’s role in wars. Such instances of official remembrance crowd out the realities of war, and the consequences of Australia’s role in imperialism. As teachers, we should strive to resist this, and we should introduce our students to a fuller understanding of the history of the Anzacs. 22 April 2024 · Gaming Game-death in infinite game-worlds: Darkest Dungeon 2 Josie/Jocelyn Suzanne Death is the ultimate stamp of value. It was invented to sell arcade-like 1 Up repetition to the home market. To read politics in videogames is to learn to read necropolitically, which is why gamers don’t like politics.