Published 31 December 202116 March 2022 · Poetry / Friday Features / Friday Poetry Poetry | It was Jennifer Compton It was 1980. I was writer-in-residence at a university. I had booked a meeting room for the first reading of a play. But three young men were dug in deep with each other. I became stiff and shrill. — ‘Did you book this room? I booked this room!’ — They glanced at each other, they gathered their materials together, — their ‘seminal’ texts re ‘the woman question’ — they folded their hands and they stood. Tears leapt out of my eyes like crazy diamonds. I held my chin with the palm of one hand so I wouldn’t judder. Like, I can’t judder. I am the writer-in-residence. And tears leapt out of their eyes too, the young crew of woken men, as they walked out into the bright air of a new world. I often think of them, still. * On the Monday I miscarried. On Wednesday my father died. I had flown in. I was sitting at the dining room table on the Friday telling my mother I was out of money and the phone rang. I had won a playwriting competition. I was in the money. Her eyes shone. My mother. (Her magical child.) (But it wasn’t stupid money. I have never won stupid money. I would imagine that would half ruin you, stupid money would.) * It was 1975. My first play. My first director. I had written myself up and out of everything. Of everything. He was coming round to finesse my play, my first play. He threw me onto the floor. I squeaked. I made a little squeak. He spread himself on top of me. Grinding and grinning. He said — ‘I love the feeling of your breasts against my chest.’ — And I went off my head! It went blue, it went white, kaleidoscope. I ran in circles, limping and panting and although I thought I was screaming, I felt I was screaming, I probably wasn’t. * It was 1983. I was strolling my big belly around my home town. I thought I might as well pop into the bank and pick up an entry form for the short story comp. As the teller handed it to me she asked with a pregnant smile — ‘Is it for your husband?’ — I didn’t shout — ‘Three years ago I won the bloody thing!’ — No. I shuffled my big belly back out onto the street. Surely it is very bad for a child to feel such blind resentment hammering their mother’s heart. * I could go on. And on. And on. I could go on and on and on. And I will. But not just now. Now I will sit still. Like this. Overland’s Friday Features project is supported by the Copyright Agency’s Cultural Fund. Jennifer Compton Jennifer Compton lives in Melbourne. Her 11th book of poetry a moment, taken was published by Recent Work Press in 2021. More by Jennifer Compton › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 6 November 20246 November 2024 · Poetry TV Times Kate Lilley I try out for Can Can after school / knowing I’m not cut out for the high kicks / Ballads chansons show tunes ok / I can belt out Judy Garland and all the songs from Oliver / “Who Will Buy”/”As Long as He Needs Me” / Wher-e-e-e-ere is love