Published 21 June 201816 July 2018 · Polemics / Feminism / Violence The Devil’s Decade Jeff Sparrow In wake of the revelations by Rozanna and Kate Lilley about the sexual abuse they endured as children, Senator Cory Bernardi wants to rebrand the literary prize named after their mother, Dorothy Hewett. It’s an illustration of how this awful story’s become, inevitably a battering ram for culture warriors. If Bernardi cared an iota for the Lilleys, he would, before going to the press or preparing his idiotic Senate motion, have spoken to them – at which point he would have learned that Kate, at least, doesn’t want the award renamed. But, for Senator Grandstand, that’s neither here nor there. Australian conservatives (both of the lower- and upper-case variety) care tremendously, you see, about the Great Works of Western Civilisation, but much less so about actual books – objects they associate with the effete degenerates of the intelligentsia, who will, Bernardi assumes, be pleasingly discomforted by a parliamentary motion condemning a prominent novelist. He’s not concerned about the Lilleys’ pain and how it might be assuaged. He’s latched onto an opportunity to embarrass those dreaded literary elites. Something similar might be said about Miranda Devine. ‘For celebrated poet Dorothy Hewett,’ she explains, ‘Marxist ideology was so strong it obliterated a mother’s protective instinct and led to her offering up her young daughters for sex.’ For what it’s worth, by the 1970s, Hewett had long since broken with ‘Marxist ideology’, in part because the Stalinist doctrinaires of the Communist Party disapproved of the philosophical commitment to ‘free love’ she’d embraced well before she became a socialist. Hewett’s memoir Wild Card explains all of this in great detail. Devine, however, draws on other sources. ‘[Hewett] appears alongside Reich,’ she tells us, ‘in Wikipedia’s compendium of Marxist writers.’ Well, case closed, Sherlock. ‘Sex was a political act,’ Devine continues, ‘[Hewett] called herself a feminist but she was brainwashed into a cult that gave men unfettered sex without the family – responsibilities civilised society had painstakingly created over eons.’ Again, Hewett adopted her unconventional ideas about sexual freedom at university in Perth in the 1940s. Again, that’s documented in her memoir – although perhaps Wikipedia says something else. Devine’s point, of course, is to associate the left as a whole with the goings-on in the Hewett household. The Lilley revelations, she says, ‘blow [..] the lid on the Devil’s Decade, the 1970s in Australia’. She’s not alone in drawing a connection between abuse and the so-called sexual revolution. In the Spectator, Mark Power, a clergyman associated with the Cornerstone Presbyterian Church, tells us that ‘Hewett’s radical feminism—who championed female empowerment through sexual liberation—was integral in orchestrating the abuse of her own children’. In the Guardian, Brigid Delaney ponders her own past enthusiasm for Bob Ellis, before citing a character in Philip Roth’s The Dying Animal for whom the sixties were ‘that explosion of childishness, that vulgar, mindless, collective regression.’ You can see how this might seem persuasive, given how the predatory figures circling the Hewett household used a rhetoric of sexual freedom to justify their depredations. ‘I used to have sex with men to prevent them having sex with Rosie,’ Kate Lilley told Rosemary Neil of the Australian, ‘and then I would find out they did have sex with Rosie. I think because Mum was this figure of sexual licence, we were particular targets.’ No-one should pretend such behaviour was anything other than vile. At the same time, it’s important to recognise just how much of the conceptual apparatus we now possess to understand sexual abuse owes to the liberation struggles that Devine, Power and co so loathe. Most obviously, the modern notion of consent emerged from a women’s movement that fought bitterly against male entitlement to female sexuality. Until 1994, there were, still places in Australia in which a man could legally force a woman to have sex with him, if they happened to be married. Moreover, during the struggle to ban rape in marriage, conservative politicians and churchmen did all they could to oppose any reform, with, for instance, the Festival of Light arguing that a requirement for matrimonial consent would deal the traditional family ‘a crushing blow’. Women’s liberation coincided with the sexual revolution because, in Australia, throughout most of the twentieth century, the law made open discussion of contraception, abortion and sexual health more or less impossible. In Queensland in 1971, for example, police arrested an activist from Women’s Liberation for distributing a pamphlet entitled ‘Female sexuality and education’, with a member of parliament thereafter declaring the document ‘so obscene, so lewd and such an outrage of modesty as to make a hardened whore blush.’ Yes, some men exploited the new openness about sexual matters to force women (or other men) into sex that they didn’t want. But the general tenor of the liberation struggles stressed the importance of the oppressed’s self-determination, which, in the women’s movement, led to slogans like, ‘women have the right to control their own bodies.’ To put it another way: if men transformed sexual freedom into sexual coercion, the problem was not that sexual liberation had gone too far, but rather that it hadn’t gone far enough. Think, for instance, about the activist determination of that time to educate children about their bodies and their rights. In NSW, the Vice Squad raided bookshops to prevent the distribution of The Little Red School Book, a pamphlet that, as Nicole Moore explains, contained ‘explicit information about heterosexual sex, homosexuality, petting, contraception, masturbation and abortion, much of the text using slang and four-letter words, in an effort to speak directly to its audience.’ The response to that book illustrated the political divide. Bob Santamaria, the intellectual godfather of the Catholic right, supported the ban, declaring that The Little Red School Book was ‘not even suitable for adults with weak stomachs’. By contrast, liberationists like Wendy Bacon risked jail to distribute the pamphlet, insisting to the press that ‘school kids should have rights’. In 1973, the Victorian teachers union went on strike on behalf of Helen Garner, who’d been sacked for an article in which she described giving teenagers a frank class in sexual education. The title of that piece – ‘Why does the women have all the pain, Miss?’ – speaks volumes about how sexual ignorance made sexual abuse more likely. If you don’t know how your body works or if you’re ashamed about your anatomy or desires, you’re infinitely less likely to seek help if you’re being threatened or abused. Similarly, if you don’t understand that you have rights and if you’re not confident to speak up against figures in authority, you’re easy prey to an abuser. After all, the vast majority of sexual violence takes place in the family, with the perpetrators generally known to the victim. That’s why the empowerment of children matters so much. The academic Suzanne Ost thus quotes an officer from the British sexual-abuse squad. We go to an awful lot of trouble and have done over the years [to say] ‘Don’t go with strangers, don’t take sweets.’ However what we don’t say is, ‘Don’t do what the babysitter tells you when they tell you to go and do this. ‘Don’t do what your uncle says when he tells you to do this.’ What we tell them is ‘Do everything the babysitter tells you to do.’ ‘Be good for your uncle.’ The more kids feel they have some agency, the safer they’re going to be. Now, it’s generally difficult to settle political arguments in any scientific manner, simply because propositions in the humanities aren’t usually testable. This issue, however, is different. If, for instance, we wanted to judge the validity of the suggestion that the movements of the seventies rendered children more liable to be abused, we’d need a counterfactual. We’d want to examine a community in which feminism had made little progress, in which traditional notions of sexual chastity prevailed, sexual education wasn’t available, men ruled over women, and children were seen and not heard. Fortunately (or, more exactly, unfortunately) we have one. It’s called the Catholic Church. For Devine, the seventies might have been ‘the Devil’s decade’ but you only need the most cursory glance at the royal commission into institutional abuse in Australia to realise that Old Nick was most active precisely where the reforms associated with feminism and the sexual revolution hadn’t been carried through. Not surprisingly, in an intensely patriarchal environment in which many kids believed sex to be dirty and wrong, priests could get away with abuse for years, with their victims blaming themselves for what took place. ‘Children,’ say the recommendations of the commission, ‘[should] participate in decisions affecting them [and be] taken seriously.’ That’s pretty much what Wendy Bacon was threatened with jail for saying in the early seventies. Again, none of this provides Bob Ellis and co with an alibi. A number of pundits have suggested that progressive writers tolerated Ellis’ proclivities because of a romantic attachment to the idea of the debauched artist and that’s why the Lilley revelations haven’t been a bigger scandal on the left. I don’t think that’s true. I think that the muted response reflects that Ellis simply didn’t mean that much to people under 40, precisely because his rumpled, boozy larrikinism seemed so foreign to a generation that couldn’t imagine a prime minister like Bob Hawke. In any case, as I’ve been arguing on social media, the toleration for Ellis’ boorishness pertained more to his perceived proximity to power (he made TV specials with Les Murray; he knew every Labor leader, etc) than to any widespread admiration for his bohemianism. But that’s another argument, one about recapturing the scepticism of authority that marked the seventies. Image: crop from Wild Card, by Dorothy Hewett. Jeff Sparrow Jeff Sparrow is a Walkley Award-winning writer, broadcaster and former editor of Overland. More by Jeff Sparrow Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. 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